” Brooks Caldwell has it all: money, power, and a beautiful socialite wife. When Brooks makes plans for a weekend romp with his young mistress, his wife sets in motion an elaborate plot of revenge.”
Sounds fun, right?
A (gigantic) Tangent
Up here in southern Alaska, we’ve got something called Washington Filmworks. It’s a great organization with the stated goal to ” encourage growth in the film and video production industry for the economic benefit of Washington State. By offering productions extensive support–from location scouting to financial incentives–we’re helping Washington State reemerge as a premiere destination for motion picture production.”
A while ago, Washington, and Seattle were popular places to film. We had movies that put us on the map. “Sleepless in Seattle, ” anyone? But as producing film in Hollywood became more expensive, many US states began to subsidize film production to attract producers to make films away from Los Angeles, for less money. Maximize those profits, capitalists! The era of ‘Runaway Produciton’ began quickly, and has not yet let up. Washington state was not as quick on the draw to subsidize film production, nor as generous as several other states, and was quickly losing out on opportunities to bring film jobs north from California.
Enter our hero: Washington Filmworks. Washington State has had a Film Office since the 1970’s, but Washington Filmworks merged with the state film office to create a cyborg of incubation, subsidy, and resource-gathering that has allowed local filmmakers to hone their craft, and the state to attract production, and jobs in the film industry for crew, and (most importantly for me) actors.
An important part of Washington Filmworks’ mission is incentivizing film production through the State’s Motion Picture Competitiveness Program. Money for movies.
Especially for me. In 2012 I was cast in a film, partially funded by Washington Filmworks incentives. “A Bit of Bad Luck” starring Carey Elwes, Teri Polo, and Agnes Bruckner.
If you don’t blink, you can find me in the bar, where the film’s protagonist (Elwes) finds himself befriending the locals of a small town.
It was a great gig. I had one line of dialogue, which may have been with my back to the camera, depending on which shot the director and editor decided on. But for me, professional exposure in this film was far less important than my experience on set. I got to spend time on a union film set, and learn my way around, taking that experience with me. I got to meet Carey Elwes, who, aside from being a truly funny guy in front of the camera, was an absolute gentleman and complete professional in the most inspiring sense. I had a really enjoyable time, getting to work with my colleagues from the Seattle acting community in a setting where we often don’t find ourselves.
What’s the moral of this post?
There is no moral. I live in a state that cares about my industry, and I’ve seen a benefit from the State Government meddling in the purity of the market. You want a moral in every post, go write your own blog. (I think my political economy professor would be proud of me just now.)
Links, though? I got your links right here:
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